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How Copyright Stifles New Art







How Copyright Stifles New Art

How Copyright Stifles New Art 04/12/2004 07:32 PM

  • JD Lasica: The Killing Fields. In the film, artists, writers, musicians, scientists, and others parade across his lens. Many of them have been threatened, sued, fined, and put out of work in the name of copyright. Horowitz captures it all in a video vérité style popularized by Michael Moore in Roger & Me and Bowling for Columbine. At various points, the iconoclastic Horowitz appears on camera, appearing dumbfounded at the tales of a preschool director who said she received letters warning that the school could not show videos to her young charges without a license or hang protected cartoon characters on the walls without permission. He also interviews members of a Rolling Stones tribute band who perform under a legal cloud and husband-and-wife party clowns in Anaheim, California, who were warned not to create balloon animals for kids that looked too much like Tigger, Barney, or the Aladdin genie.



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    Ads and Copyright 02/10/2004 02:41 AM

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    Xeni Jardin: BoingBoing reader Robert Daeley says, "Came across this picture on the wall just behind a copy machine. All the hackers I know wear ski masks when they commit their crimes. Oh, and big thick leather gloves are great for typing."

    Link< /a> to blog post with pointer to full size image. Mwuhuhahahahaaaaaaa.

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    Xeni Jardin: [NSFNLG warning: Not Safe For Non-LawGeeks.] A recent post on BoingBoing sparked debate among some readers about whether or not U.S. copyright law makes it possible to protect typefaces. Digital music guru Jim Griffin maintains that the answer is no. He points to Volume 37 of the Code of Federal Regulations (Link) as one of several portions of US law that back his assertion. Snip from the text of the law, with his comments:
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    House of Representatives report accompanied the new copyright law when passed in 1976: "The Committee has considered, but chosen to defer, the possibility of protecting the design of typefaces. A 'typeface' can be defined as a set of letters, numbers, or other symbolic characters, whose forms are related by repeating design elements consistently applied in a notational system and are intended to be embodied in articles whose intrinsic utilitarian function is for use in composing text or other cognizable combinations of characters. The Committee does not regard the design of typeface, as thus defined, to be a copyrightable 'pictorial, graphic, or sculptural work' within the meaning of this bill and the application of the dividing line in section 101." H.R. Rep. No. 94-1476, 94th Congress, 2d Session at 55 (1976), reprinted in1978 U.S. Cong. and Admin. News 5659, 5668.

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    Link to previous BB post.

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    Moving and Copyright 07/16/2004 01:53 AM

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    VW car-bomber ad: dispute about more
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    02/01/2005 08:38 PM
    Xeni Jardin: Following up on this previous Boing Boing post, reader raging red says,
    I've been doing a tiny bit of research into the German crime of "public incitement" in response to your post about the fake VW ad. This is not simply a copyright infringement issue. The theory here is that this ad could provoke someone to commit a car bombing. Under German law as I read it, even if the ad does not in fact incite someone to commit a car bombing, the two men who produced the phony ad are still subject to a maximum penalty of five years in prison, simply for creating the ad.
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    Update: raging red says:

    Some people [in the comments section of my blog] have corrected me. Apparently the translation from German in the Reuters article is a little off. The crime they may be charged with is a different kind of public incitement. It's called "Volksverhetzung," which apparently means agitation of the public or incitement of hatred. It's basically a hate speech statute. The punishment is 3 months to five years. I haven't verified this information myself yet, but the people in my comments sound like they are correct, and one person has given the text of the statute in my comments.

    Feed usage and copyright


    Feed usage and copyright 02/01/2005 09:34 PM

    Martin Schwimmer, a trademark lawyer, has asked Bloglines to remove his feed from their service, partly on the grounds that Bloglines plans on eventually selling advertising on their site. Scoble&# 8217;s got a number of links to reactions to the news.

    The complaint is that his feed is licensed under a “no commercial use” Creative Commons license and he claims that Bloglines, being a commercial service, is violating that license by allowing their users to subscribe to his feed.

    There are a number of products and services that are advertising supported and rely on content generated by others. Although search listings contain only excerpts of web pages, search engines regularly place advertisements alongside those excerpts. Gmail puts ads next to email created by other people. Eudora does the same. Opera puts their own ads next to every page I view.

    Would Mr. Schwimmer demand that Google block Gmail addresses from receiving his email? Or that Opera refuse to display the pages on his web site?

    RSS is designed to to allow for easy republication and consumption of content. Bloglines isn’t taking a feed and claiming that content as their own. They’re only showing feeds to people in direct response to their request. I’d have to subscribe to Mr. Schwimmer’s feed in order to see it in Bloglines. Is this a commercial use?

    This is a sticky question. Bloglines is providing a product to consumers and they have to make money somewhere. Feeds are designed to allow people to read the content of the site without visiting the actual site. So the Bloglines service is letting people use the feed that Schwimmer is publishing in the way that it was intended to be used. A product like MyRSS that scrapes sites, turning them into feeds and inserting ads is a much more clear issue. They’re re-purposing content, republishing it in a way that it wasn’t intended to be used, and inserting their own ads into it.

    The question is where do we draw the line? Is reading the feed in a reader like FeedDemon a commercial use? I had to buy a copy. What about an aggregated list of posts on a site? Mt-Plugins.org used to have the latest posts from a number of plugin authors (including me) on their site. Would this be an acceptable use? Syndic8 publishes a list of random feed items as RSS. Is that okay? Would your answer change if Syndic8 started selling ads in that feed? There are a number of services that will send you feed contents by email. If I subscribed to Schwimmer’s feed with such a service and had those emails go to my Gmail address, is that a commercial use of his content and who is responsible for it?

    I don’t have an easy answer to any of those questions. Up until now when faced with the question of commercial use of my feed (which I also prohibit), I’ve treated it on a case by case basis. I know a commercial use when I see it but I’d be hard pressed to offer up a definition of it.

    A side note: Schwimmer is concerned that Bloglines doesn’t display his contact information alongside his feed. That’s because he doesn’t provide it in the feed. Feed readers can only display what he actually publishes. He also doesn’t include his Creative Commons license (or any other) in his feed, simply stating “Copyright 2005 Martin Schwimmer.”


    How Copyright Policy Gets Twisted


    How Copyright Policy Gets Twisted 06/26/2004 10:52 AM

    The Register's Andrew Orlowski analy zes the latest, and perhaps most serious, threat from the copyright cartel. The legislation, sponsored by senators from both major U.S. political parties (here's my previous posting about this horrid bill), is aimed at peer to peer technology but has a much wider application. As Andrew notes, citing warnings from critics of this legislation, "It may soon be possible to carry around an AK-47 assault rifle and an iPod with you down the street - and be arrested for carrying the iPod." He asks how this could be happening, given that Orrin Hatch, the key sponsor, once seemed to be on the side of fair use and other users' rights. Part of it is money, no doubt. Andrew aims a well-deserved barb at the technology community for not taking its case to Congress in a more organized way, and this is also true. But I think he underestimates two things. First, the tech industry's leaders have not just stopped fighting Hollywood and the record companies. They've embraced the cartel. This spectacular piece of cowardice, driven by a warped sense of what's in the tech moguls' best business interests, means that technology innovation must essentially be approved by the cartel or modified so as not to annoy the copyright industry. Second, technologists have a remarkably short attention span. They flit from idea to idea, changing products and business models at the drop of a hat because they live in an ever-morphing universe where rapid change is the norm. The copyright cartel has, if nothing else, a deep and abiding motivation to maintain control. It is relentless. It has basically one issue, and pockets deep enough to stay with the fight. I tend to respect Hollywood and the music companies for their single-mindedness, even though I have little respect for their position on this matter. I have growing distaste for the technology industry, which seems to have few principles of any kind. And the public interest gets squashed.


    What Should The Copyright notice on UK
    Website Be?


    What Should The Copyright notice on UK
    Website Be?
    12/19/2004 03:08 PM
    "... a lot of websites offering copyright notice "templates", but these all seem to cover US copyright. Are there any similar services for the UK?"

    Parody of copyright billboard


    Parody of copyright billboard 09/09/2004 10:29 AM
    Cory Doctorow: While in Boston for WorldCon, I spotted these copyright warning posters in the lighted advertising podium. Trevor points to a much better parody. Link (Thanks, Trevor!)

    Updated Copyright Chart


    Updated Copyright Chart 07/13/2004 08:19 AM
    Peter Hirtle has a copyright chart available at http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm. Not only does it cover US copyright but also copyright information for the US about books published in other countries. Also...

    The On-Line Battle Over Copyright


    The On-Line Battle Over Copyright 01/04/2004 09:34 PM
    Macleans Online Jan 4 2004 8:13PM ET

    Google sued over copyright


    Google sued over copyright 03/23/2005 11:01 PM
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