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Valenti Fades to Black as Movie Booster







Valenti Fades to Black as Movie Booster

Valenti Fades to Black as Movie Booster 04/10/2004 02:09 PM

In his 38 years as president of the Motion Picture Association of America, Jack Valenti has won more battles than he has lost, while making remarkably few enemies.




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Valenti Fades to Black as Movie Booster

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TT: Indeed, but are you doing that when you rent a movie from Blockbuster and you watch it at home? ... I run Linux on my computer. There’s no product I can buy that’s licensed to watch [DVDs]. If I go to Blockbuster and rent a movie and watch it, am I a bad person? Is that bad?

JV: No, you’re not a bad person. But you don’t have any right.

TT: But I rented the movie. Why should it be illegal?

JV: Well then, you have to get a machine that’s licensed to show it.

TT: Here’s one of these machines; it’s just not licensed.

[Winstein shows Valenti his six-line “qrpff” DVD descrambler.]

TT: If you type that in, it’ll let you watch movies.

JV: You designed this?

TT: Yes.

JV: Un-fucking-believable.

Link< /a> (via Joi)

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Well, the latest word in Jack Valenti's effort to ban studios from sending DVD screeners to awards voters is that, sorry, but it's not the MPAA's call. A judge has said that the studios can not be blocked from sending screeners if they want to. This means that independent studios can still send out the screeners, though, I imagine it could lead to some backlash in relationships they hold with the major studios. Meanwhile, Jack Valenti says that the MPAA is going to appeal. Am I the only one who's a little confused about this one? If a studio wants to send out a DVD to the award voters, what's to stop them legally, no matter what Valenti says? The real threat is that they'll be somehow blackballed by Hollywood - and that's going to happen no matter what the courts say.

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One of my complaints concerning most interviews with Jack Valenti concerning his views on copy protection is that most interviewers don't ask any of the tougher questions that Valenti should answer. Now, Slashdot is pointing to an interview of Valenti by an MIT student, where the student confronts Valenti about why he can't watch legally purchased or rented DVDs on a Linux machines, and actually shows Valenti some "illegal" DVD descrambling code, which apparently gets a curse out of Valenti. While it is amusing to see Valenti get flustered, it doesn't seem like the most productive interview. Rather than focus in on such a tiny aspect (why you can't watch DVDs on a Linux machine) it would have been more interesting to get at some of the bigger questions concerning the MPAA's views on intellectual property - such as how things like the VCR (which Valenti called "the Boston Strangler of the movie industry") actually saved the industry.

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"Jack Valenti Interview with an
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"Jack Valenti Interview with an
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Jack Valenti... Misunderstanding The
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Jack Valenti... Misunderstanding The
Digital World Right Up Until The End
08/30/2004 03:19 PM
Jack Valenti is getting ready to retire, but that hasn't stopped him from continuing to give interviews where he says stuff that are clearly false or purposely misleading. My biggest complaint with the interview isn't with Valenti, actually. It's that the interviewer, JD Lasica, who definitely knows better, didn't challenge Valenti on any of his ridiculous answers. Not once does he say anything. Even when Valenti trots out his ridiculous excuses for why you should never be able to back up a DVD, where, in a single answer Valenti confuses the different between digital and tangible items and then insists that there should be no reason to back up digital items because they last forever. Of course, they only last forever... um... if you can back them up. So, there's a bit of a disconnect there, and it should have been hammered home. Also, Valenti continues to insist that there's no such thing as fair use. Or rather, he makes a series of contradictory statements about fair use, none of which fully make sense. He first seems to say that you can only use fair use on content that belongs to you, in which case you wouldn't need fair use (it already belongs to you!). Next, he claims that if someone fast forwards through something in classroom, that is fair use, but follows it up by saying the law doesn't recognize fair use (which is simply false). These are all things he's said before, so there's nothing that new in the interview, but how could the interviewer, especially someone who has written a new book about these things, let Valenti get away with them? That's why he continues to think he's right -- because no one tells him to his face that he's wrong when he spouts this stuff.

Watch Jack Valenti Try To Rewrite
History


Watch Jack Valenti Try To Rewrite
History
06/21/2004 03:59 PM
News.com is running an interview with Jack Valenti where they actually ask him the question that many interviewers have skipped over, about his famous "Boston strangler" quote about how the VCR will kill the movie industry. Valenti, in his usual manner, tries to rewrite history by making two claims. First, he says he was never actually against the VCR, but was just worried about the piracy aspect. Second, he says he's been vindicated in those views because of all the VCR related piracy that's out there. He's wrong on both points, but the News.com interviewer doesn't challenge him. First, it's pretty clear that if you say that the VCR is the Boston Strangler to the film producer, that you expect it to kill off the film industry. Instead, the VCR completely revived and revitalized the industry. Second, his claim on vindication is because of incredibly misleading stats that he throws out (twice!) claiming that the industry is "losing" $3.5 billion a year to piracy -- not considering the fact that the vast majority of people who end up with pirated films were unlikely to buy the full cost version. Compare this to another interview today by the Harvard professor who did that study a few months ago suggesting that file sharing does not damage sales. In that interview, the professor admits what the entertainment industry refuses to believe: there are multiple factors related to file sharing that impact entertainment sales. Some of it is as a substitution (people will download instead of buy) and some of it is as a promotion (people will use the free downloadable content to make a decision on what to buy). These two factors can compete. The professor wants to find out what the actual impact of these competing factors will be, while the industry refuses to believe that anyone could possibly use these tools for promotional value. It's a dangerous blindness to reality that doesn't bode well for them.
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