All the World's a Soundstage as Audio Formats Evolve
Grok Headline matches for All the World's a Soundstage as Audio Formats Evolve
New Digital Audio Formats
New Digital Audio Formats
06/13/2004 12:16 PMOn the benefits of competing audio
formats...
On the benefits of competing audio
formats...
01/27/2004 06:28 PMThere's a fascinating clump of posts going around the place at the
moment about the various DRM-based digital audio solutions that you
can buy at the moment. The one that kicked stuff off initially was a
post on The Sobleizer (A
challenge for webloggers: handling organizational difficulties)
which included a chunk of stuff about why it's best for people who
are going to buy music files with DRM to buy them in Windows
Media format. Here's the main chunk of the argument:
When you hear DRM think "lockin." So, when you buy music
off of Napster or Apple's iTunes, you're locked into the DRM systems
that those applications decided on. Really you are choosing between
two competing lockin schemes.
But, not all lockin schemes are alike, I learned on Friday. First,
there are two major systems. The first is Apple's AAC/Fairtunes based
DRM. The second is Microsoft's WMA
Let's say it's 2006. You have 500 songs you've bought on iTunes for
your iPod. But, you are about to buy a car with a digital music player
built into it. Oh, but wait, Apple doesn't make a system that plays
its AAC format in a car stereo. So, now you can't buy a real digital
music player in your car.
(I should mention at this point that Scoble works for Microsoft, but I'll say
straightaway that I don't think that's particularly relevant to the
argument at hand. Nonetheless, cards on the table.)
So the argument at this point is if you choose lock-in with
Microsoft, then your music files will work on a wider variety of media
than if you choose lock-in with Apple. Therefore you should choose
lock-in with Microsoft. At which point BoingBoing's Cory Doctorow weighs in:
In this world where we have consumer choices to make,
Scoble argues that our best buy is to pick the lock-in company that
will have the largest number of licensees.
That's just about the worst choice you can make.
If I'm going to protect my investment in digital music, my best choice
is clearly to invest in buying music in a format that anyone can make
a player for. I should buy films, not kinetoscopes. I should buy VHS,
not Betamax. I should buy analog tape, not DAT.
Because Scoble's right. If you buy Apple Music or if you buy Microsoft
Music, you're screwed if you want to do something with that music that
Apple or Microsoft doesn't like.
Cory's argument then is the fairly commercially radical proposition
that we should buy only open music files, that companies should sell
open music files (there is a precedent here - Bleep sells DRM-free songs
from Warp Records), and even that companies like Microsoft should
be using their substantial legal power to fight the record companies
to be able to sell DRM-free songs online.
Now I'm not going to argue with that, although - to be fair - I
think the current climate makes it pretty unlikely to happen. The
various companies concerned are too neurotic about it, and frankly
Microsoft has too much to lose from the proposition that intellectual
property should be distributed without arcane DRM attached to it.
Instead I'm going to argue that even if we're only given the choice
between two DRM schemes, we should still not just automatically
go for the one that plays on the most devices. Because what does this
mean in the end? No more or less than yet another monopoly at the
operating system level - the musical infrastructure ends up belonging
to Microsoft.
The fact is we shouldn't think in those terms at this stage. We
should be trying to create miscegenated musical libraries that we
expect digital music manufacturers to support all of, not just some as
it suits them or as it suits whichever company ends up dominating the
market. We've been down this parth before - the company that owns the
monopoly has the least to gain from a rapid pace of innovation, the
least to gain from being standards compliant. We've seen it at the
level of operating systems, internet browsers and now we're seeing
attempts to own and define the one successful format in which music
files could sit for the next few decades. These things are too
important to be left in the hands of one company. We need to have
consumer choice at the level of which DRM (or lack of DRM) we're
comfortable with buying, we need variety so that different types of
audio file can be released via a variety of business models, we need
variety - fundamentally - because otherwise we all lose.
The examples that people cite about competing formats no longer
hold true for music. It's not like VHS and Betamax - we're not talking
about hardware with different sized slots that you can only fit one
kind of music delivery system into. No - with music we mostly have
applications on our desktop that can play dozens of different formats
- whether we notice it or not. Just the other day, RealOne announced
that it could now play Apple-encoded AAC files, and the rumour is that
HP's deal with Apple required that the iPod should have its ability to
play WMP files restored. These things can play more than one
type of file and we should be doing our damnedest to make sure that
continues to be the case. It should be obvious to car audio
manufacturers that they should be able to play AAC tracks - that there
are hundreds of thousands of people across America (and soon Europe)
who are going to want to be able to do more things with their bought
songs. And it should be obvious to all of us that we want a
world in which new formats can be integrated into our listening
without any particular effort, or at least without us having to rebuy
all our old tracks to work on non-mutually functioning players.
So in the meantime, buy, steal or rip whichever tracks suit you
best in whatever format you want and make it your mission to put
pressure on all the players (both business players and audio players)
concerned to support as many of them as possible as soon as possible.
And don't listen to anyone who says that having one organisation
controlling the musical infrastructure will result in greater
choice. That's never been the case in the past, and I very much doubt
it will be so in the future either.
Read the comments
Don't Change, Evolve!
Don't Change, Evolve!
09/06/2004 09:16 AMTechTree Sep 6 2004 12:49PM GMT
Resellers must evolve or die
Resellers must evolve or die
04/03/2005 09:38 PMComputer Weekly Apr 4 2005 12:19AM GMT
Evolve Custom Controls in ASP.NET
Evolve Custom Controls in ASP.NET
12/17/2003 12:18 AMASP.NET's support for Web controls provides an excellent way to
package up commonly used behaviors and deploy them to other
developers. But when should you build a control, and when should you
just add the behavior to a Web form directly? This article examines
this issue, and steps through the evolution of a control from behavior
on a Web form to full-fledged control.
Computer mice evolve
Computer mice evolve
09/24/2004 12:06 PMUSA Today Sep 24 2004 2:57PM GMT
IKP - Evolve Student Project
IKP - Evolve Student Project
07/06/2004 01:45 AMEvolve - A Student Project in Mechatronics in Collaboration with Volvo
Cars
ikp.liu.se/evolve
track this
site | 2 links
How Do Diverse Species Evolve the Same
Way?
How Do Diverse Species Evolve the Same
Way?
03/26/2005 01:00 PMTechnocrat.net Mar 26 2005 5:26PM GMT
Evolve! Mutate! Specialize!
Evolve! Mutate! Specialize!
01/16/2004 11:33 AMThe internet is relatively young and the web is even younger,
barely getting to ten years of popular usage.
It's fun to watch it age though. I remember when Match.com was the only dating service and
no one thought they'd ever last or figure out a way to make money.
Apparently they did as it seems a formerly foreign concept like "I met
her on the internet" is increasingly normal among my friends. Also
worth noting is the extreme specialization taking place in the space,
here's a random sample of specific dating communities: Liberal Hearts. Indian Dating. Equestrian Singles.
Equestrian Singles?! You mean to tell me there are enough single
people both male and female all around the country that own horses and
are looking for that special someone to support a venture like this?
That there are enough to support at least two more of these?!
I always knew one of the powerful aspects of the internet was that
it could allow people with very specific and unique tastes to join up
and eventually form larger groups spread throughout the world. But I
didn't think it'd work so well or so fast that in less than ten years
a dating scene would blossom online to the point at which it took
three full sites to connect all the people that owned a horse and were
looking to date. Like I said, it's fun to watch it age.
History Flow Shows How Wiki Articles
Evolve
History Flow Shows How Wiki Articles
Evolve
03/28/2005 01:08 AMMassively multiplayer online games
evolve with dragon-loving masses
Massively multiplayer online games
evolve with dragon-loving masses
05/31/2004 08:13 PMNwanews.com - Mon May 31, 05:46 am GMT
Sound Audio Systems Announces Huge Sale
on Selected Professional Audio Products
Sound Audio Systems Announces Huge Sale
on Selected Professional Audio Products
03/14/2005 05:26 PMSound Audio Systems announced today that the company will have a huge
sale on selected items. [PRWEB Mar 1, 2005]
Elemental Audio offers Neodynium audio
compressor
Elemental Audio offers Neodynium audio
compressor
09/14/2004 07:23 AMElemental Audio Systems on Tuesday introduced
Neo
dynium, a plug-in for RTAS, Audio Unit and VST-compatible audio
software designed for compression and dynamics processing. It uses an
"I/O Map" visual interface that helps audio pros optimize and direct
their efforts, rather than relying on more common transfer curves and
displays. Neodynium costs US$159 (and is available for $139 for a
limited time). It works with Digidesign Pro Tools, Emagic Logic and
other software. System requirements call for a G3 or faster with Mac
OS X v10.2 or newer and a compatible host application.
Westec InterActive Selects the Voice
Tracker™ Array Microphone for Enhanced
Audio in Retail and Restaurant
Audio/Video Surveillance and Operations
Audit
Westec InterActive Selects the Voice
Tracker™ Array Microphone for Enhanced
Audio in Retail and Restaurant
Audio/Video Surveillance and Operations
Audit
03/17/2005 03:36 AMWestec InterActive, the leader in interactive remote security
monitoring for convenience store, retail, restaurant and other
business applications, selected Acoustic Magic’s Voice Tracker™ array
microphone to be used for enhanced audio for audio/video monitoring.
Enhanced audio is especially important for Operational Audits,
enabling clear reception of conversations between employees and
customers. [PRWEB Mar 17, 2005]
Audio controller promises next gen audio
systems
Audio controller promises next gen audio
systems
06/25/2004 11:57 AMThe latest version of Oxford Semiconductor's OXFW970 FireWire audio
controller IC allows next generation audio systems to be easily added
to desktop and notebook systems on the Mac and PC platforms, reports
electropages in an article noted at MacSurfer...
Enhancing all audio output via Audio
Hijack
Enhancing all audio output via Audio
Hijack
09/03/2004 08:46 AMThis is kind of a followup to this previous hint regarding an iTunes
equalizer setting.
Something I do as a matter of course is configure Audio Hijack Pro to
enhance the sound that iTunes (and DVD Player, Real Player, you na...
M-Audio introduces Revolution 5.1 audio
card
M-Audio introduces Revolution 5.1 audio
card
08/04/2004 10:03 AMM-Audio on Wednesday introduced the
Revolution 5.1, a surround sound audio card
compatible with both Macs and PCs. The PCI card comes bundled with
Aspyr Media's Wakeboarding Unleashed featuring Shaun Murray, billed as
the first Mac game optimized for surround sound. The Revolution 5.1 is
available for US$99.95.
AAC Audio Format Selected for DVD Audio
AAC Audio Format Selected for DVD Audio
04/09/2004 04:10 PMTony Smith writes for the Register, The AAC (Advanced Audio
Codec), the audio format supported by Apples iTunes Music Store,
has been chosen as a key future DVD Audio disc technology by the
standards governing body, the DVD Forum. [Mar 25]
Take Along the Music in All Its Many
Formats
Take Along the Music in All Its Many
Formats
09/15/2004 10:58 PMNew York Times Sep 16 2004 2:44AM GMT
Mac Office 12 to Get XML Formats, Too
Mac Office 12 to Get XML Formats, Too
06/05/2005 11:59 PMRick Shaut, a member of the Macintosh Office team, wrote in his Web
log that the Macintosh version of Office 12 will also support the
Office Open XML format announced Thursday for its Windows counterpart.
He also admitted Microsoft Mac Business Unit had fallen behind on XML
support within the Office Suite.
Understanding HD Formats
Understanding HD Formats
01/19/2004 08:29 AMHigh-definition television (HDTV) first arrived on the national stage
in the late 1980s, but even today only a minority of consumers in the
United States and a much smaller minority in other industrialized
nations have HDTV systems. However, high-definition (HD) production
for video and film is increasing rapidly, as is the installed base of
high-definition-capable displays. Consumers are demanding
higher-quality content that takes advantage of these better displays.
In addition to the content delivered over the airwaves, a significant
amount of content will be delivered to the displays through computers.
This demand will help to further drive the increasing availability of
HD content.
Versioning and extensibility in XML
formats
Versioning and extensibility in XML
formats
09/20/2004 12:26 PM
On
the Atom-Syntax list they're talking about versioning and
extensibility, two problems that are very easily solved in XML.
For versioning, define a required version attribute on the feed
element, a string in the form x.y, where x and y are two numbers. X is
the major version, and y is the minor version. So a version 0.3 feed
would have a version attribute whose value is "0.3". A version 1.0
feed would have a version attribute of "1.0".
For extensibility, allow the format to be extended through
namespaces and trust the W3C, who is the owner of the namespaces spec
to tell you how to do it. Build on the works of others.
For extra credit, the format should evolve by adding new
elements. A processor can tell whether it should expect the new
elements or not by checking the top-level version attribute.
I honestly don't think there's another way to do it, so all the
arguing and fussing is just going to end up there, so you might as
well just do it. Of course this is just my opinion, I have no position
re the Atom working group, or the RSS advisory board.
Microsoft on Patenting XML Formats
Microsoft on Patenting XML Formats
01/27/2004 11:30 AMI recently asked whether Microsoft's moves to patent the XML formats
it's using in new versions of Office were, once again, a
customer lock-in ploy. Here's a (slightely edited)
reply from Mark Martin, who's employed by the Microsoft's PR company:
Office 12 to Get New File Formats
Office 12 to Get New File Formats
06/05/2005 10:58 PMMicrosoft is making XML-based file formats the default in its
next-generation Office suite. Will users bite or take flight?
Open document formats
Open document formats
06/17/2004 11:33 AM
Last week Tim Bray
wrote about his (and Sun's) involvement in the European
Commission's investigation into the OpenOffice and Microsoft flavors
of XML office documents. The upshot:
You can find the Committee's conclusions here;
they're short, readable, and defy summarization. [ongoing]
The conclusions are indeed concise, and the bulleted recommendations
even more so. I'll quote them here, changing only <ul> to <ol>
for ease of reference:
Therefore, it is recommended that:
- The OASIS Technical Committee
considers whether there is a need and opportunity for extending the
emerging OASIS Open Document Format to allow for custom-defined
schemas;
- Industry actors not currently
involved with the OASIS Open Document Format consider participating in
the standardisation process in order to encourage a wider industry
consensus around the format;
- Submission of the emerging OASIS
Open Document Format to an official standardisation organisation such
as ISO is considered;
- Microsoft considers issuing a
public commitment to publish and provide non-discriminatory access to
future versions of its WordML specifications;
- Microsoft should consider the merits of submitting XML
formats to an international standards body of their choice;
- Microsoft assesses the possibility of excluding non-XML
formatted components from WordML documents;
- Industry is encouraged to provide
filters that allow documents based on the WordML specifications and
the
emerging OASIS Open Document Format to be read and written to other
applications whilst maintaining a maximum degree of faithfulness to
content, structure and presentation. These filters should be made
available for all products;
- Industry is encouraged to provide
the appropriate tools and services to allow the public sector to
consider feasibility and costs of a transformation of its documents to
XML-based formats;
- The public sector is
encouraged to provide its information through several formats. Where
by
choice or circumstance only a single revisable document format can be
used this should be for a format around which there is industry
consensus, as demonstrated by the format's adoption as a
standard.
...Speaking of Image Formats
Speaking of Image Formats
07/22/2004 03:06 PMThe lame UNISYS LZW patent has kept GIF support out of free software
for some time. The patent has now expired worldwide, so the popular GD Graphics Library now has GIF
support again, after a very long absence.
gd 2.0.28 has been released. gd 2.0.28 restores support
for reading and writing GIF images.
So now you can fire up PHP and render your on-the-fly 'Punch The
Monkey' animated banner ads.
Click here to comment on this entry
Re-ripping CDs to new formats in iTunes
Re-ripping CDs to new formats in iTunes
06/24/2004 11:26 AMIf you want to rip a CD in AAC format, but have already ripped it in
MP3 format, insert the CD in your Mac and click Import in iTunes 4. It
will tell you that some songs are already in the library, and will
give an option to ...
Tired of being locked into formats?
Well then don't!
Tired of being locked into formats?
Well then don't!
01/18/2004 01:39 PMDanny Ayers has
a solution for the OPML "give me permission" clause in the latest Dave
Winer effort. What I love about Danny (and folks like Ben
Hammersley - too) is that they always seem to come up with solutions
that stay backwards compatible (with the 'simple way') while then also
providing an elegant rdf way of doing things.
Thanks Danny!
And BTW - for the record - I AM a fan of OPML - but that doens't
mean that open standards get to be closed - just 'cause the author
changes his mind. Once open, teh cat's out of the bag!
Sharing, the
web way
I'm not a fan of OPML, I think it's a truly awful (and unnecessary) format - other people have found <
FONT color=#333366>it problematic
too - but I did think
Dave Winer's Share Your OPML! site looked
interesting, especially when there was a little SDK available. But then yesterday I
read Eric's post pointing to the floater Dave
had left in the pool :
If you wish to use the data for a
different kind of application, or convert the data into a format other
than OPML, for redistribution, it's likely we'll say yes, but you must
ask first.
Anyone that's had dealings with Dave in the
past will know what this means. Leigh asked (in comments) but had his
request deleted. Basically Dave wants control, and he believes the
formats will give him that control (remember the RSS patent
application?).
I'm all for republishing, but not with strings attached. I don't
want material under my copyright abused in this way. So I politely
asked Dave to remove references to sites I maintain from his data.
Anyhow, Dave's response was:
Do you want to make a legal case
out of this?
Personally I thought that was pretty sad,
but that might in part be cultural bias - being English I tend to
think of etiquette before litigation. Whatever, unfortunately for
Dave, and fortunately for the rest of us, formats aren't such a lever
any more because the web will either ignore or work around attempts at
lock-in.
I think the most sensible thing is to simply ignore Dave's site,
but for purposes of demonstration, here's a workaround. The key
obstacle is that Dave insists that you can't republish his data unless
it's in OPML format. If it is OPML, you don't even have to ask. Ok, here is another version of the index file that points to
all the others at "Share Your OPML!". This is still OPML format.
Please do with it what you like. Incidentally, this new file is also
valid RDF/XML.
Given that OPML is as thinly specified as it gets, and RDF/XML is
designed to make it easy to make XML formats RDF compatible, it wasn't
particularly difficult. Here's what RDF-compatible OPML looks
like:
<opml
opml:version="2.0"
xmlns="http://opml.scripting.com"
xmlns:opml="http://opml.scripting.com"
xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
<
;head/>
<body rdf:parseType="Resource">
<outline
opml:text="John Blog" opml:ctUpdates="8" opml:type="link"
opml:url="http://example.org" opml:whenLastUpdate="Wed, 14 Jan 2004
03:28:00 GMT" />
</body>
</opml>
I first had to add some attributes to the <opml> element to
give the XML namespace support. That top element becomes a resource in
the (stripey) RDF interpretation, with head and
body as properties, their contents being other resources.
To keep things simple I just ignored the contents of the <head>
element, so that gets interpreted as a triple with an empty object
(I must check on the semantics of that). The element itself is
mandatory in OPML, so that has to stay.
The <body> in effect
contains a set of resources of type outline, which is
easy to express by adding the rdf:parseType="Resource"
attribute on the parent. The attributes of the <outline>
elements all slip neatly into being RDF properties with literal
values.
Couple of points that probably need explanation - since the spec
update there's been no need to include a root <rdf:RDF> element.
If the consumer knows it's RDF, that's good enough (the W3C's validator has check box: "RDF is
NOT enclosed in <RDF>...</RDF> tags"). Also the use of
unqualified attributes has been deprecated, so it should be
opml:text="..." rather than just text="...".
This makes the code look a bit uglier, but if you're using a lot of
namespaces it does make mistakes much less likely.
I made the changes using search and replace, but this could easily
be automated using XSLT. But if you are planning on using Userland
format data from anywhere else, it's probably a better bet to use
something a little less generic than the approach above (stylesheets
for OPML to OCS and Userland RSS to RSS 1.0 are linked in the comments
here).[Raw]
A survey of playlist formats
A survey of playlist formats
04/26/2004 01:14 PMthe great thing about standards is that there's so many of them to
choose from.
Web Page Date Formats
Web Page Date Formats
07/12/2002 10:44 AMA general survey on date format usage.
Free Culture formats
Free Culture formats
04/09/2004 04:06 PMThe free
Free
Culture was released as a pdf under a
Creative Commons
attribution-noncommercial license. Some complained about the
format. Others, relying upon the freedom granted, created derivative
works in other formats. So far, 36 hours after the book was released,
I know of 9 versions available, including:
MS-re
ader,
Rocke
t e-Book,
zippe
d,
iSilo
,
Mobip
ocket,
EasyR
ead,
PostScri
pt,
Pl
ain Text,
html.
Most of these are from
Blackmask, but thanks to
Firas,
Mike and
Josh as well.
Binary data formats? Just say NO!
(XML.org)
Binary data formats? Just say NO!
(XML.org)
06/26/2002 01:00 PMBridgewater Formats GPRS
Bridgewater Formats GPRS
05/05/2004 08:28 AMUnstrung.com May 5 2004 12:38PM GMT
Office 12 to use XML for file formats
Office 12 to use XML for file formats
06/05/2005 10:53 PMMicrosoft is embracing XML as the default file format for the next
version of Microsoft Office. Is that good news for competing office
apps?

Rogue Amoeba Updates Audio Hijack Pro,
Audio Hijack, and Nicecast
Rogue Amoeba Updates Audio Hijack Pro,
Audio Hijack, and Nicecast
04/09/2004 04:11 PMRogue Amoeba
Software has released a flurry of free updates for its products. A
moderate update to
Audio
Hijack Pro, the company's feature-rich application for recording
any audio, has bumped it to version 1.3. This update includes a fix
for recording iTunes when crossfades are on, as well as other small
improvements. Audio Hijack Pro 2 is in heavy development, and is
expected to be released sometime this summer.
Like Pixels? Check out
MacDesignCorporate Email Address Formats
Corporate Email Address Formats
06/13/2004 05:03 PM"While there is no standard for the formatting of email addresses,
there are suggested e-mail name formats that are more professional in
presentation. I'm going to list a few of those here along with the
pros and cons of each one."
KnowledgeTank 1.1 opens more file
formats
KnowledgeTank 1.1 opens more file
formats
05/04/2004 07:55 AMMemsculpt today announced the release of Knowledgetank 1.1 for Mac OS
X, an information management utility that helps users keep track of
information such as URLs, files, projects, recipes, books, DVDs, CDs,
sourcecode, and more...
Opening Open Formats with XSLT
Opening Open Formats with XSLT
02/10/2004 02:49 AMIn Bob DuCharme's latest Transforming XML column he finds that
four-year old XSLT 1.0 is solving more and more problems as more data
becomes available in XML.
Microsoft Office Formats Not Really
Being Opened
Microsoft Office Formats Not Really
Being Opened
02/01/2005 09:39 PMSlashdot Feb 1 2005 1:14PM GMT
Grok Description matches for All the World's a Soundstage as Audio Formats Evolve
GrokA matches for All the World's a Soundstage as Audio Formats Evolve
All the World's a Soundstage as Audio Formats Evolve