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Science Commons | Creative Commons
Science Commons | Creative Commons
12/31/2004 05:09 PMCreative Commons announces the Science Commons project .. patents and
scientific publishing .. scientific CC
license
science.creativecommons.org
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where skin porn and food porn collide
where skin porn and food porn collide
03/23/2005 10:09 AM
It's fun to use google and see what it returns when searching for
'sticky buns' as, well, the imagination is a poor substitute for
reality. When food and skin porn collide it gets fairly ugly pretty
quickly. Sticky buns are likely the source of inspiration for the
Finnish bostonkakku which are served like a pie rather than the
individual buns. One of the guys at work quipped that it is served
this way because you can feed 20 instead of 8 people.
I figured that since I was making dallaspulla that I'd make the
inspiration for texaspulla and bostonkakku so that my test subjects
would know just what they had been missing all these years. :) The
dough is a snap to make even without a mixer and is much easier to
work with than the pulla dough. The only drawback is the time spent
waiting for the dough to rise. With a four-day weekend approaching
where absolutely nothing will be open and we'll likely have crappy
weather given that it's a holiday, what could be better than making a
pan of sticky buns and eating them instead of chocolate eggs? These
are, by far, the best cinnamon rolls I've ever made and my test
subjects consumed them in a shark chum feeding frenzy. Two guys even
asked me for the recipe.
Sticky Buns, a.k.a. caramel rolls or cinnamon rolls
Makes: 12 sticky buns
Time: ~30 minutes prep, 3 hours for dough rising
Source: Cook's Illustrated
This recipe has four components: the dough that is shaped into buns,
the filling that creates the swirl in the shaped buns, the caramel
glaze that bakes in the bottom of the baking dish along with the buns,
and the pecan topping that garnishes the buns once baked. Although the
ingredient list may look long, note that many ingredients are
repeated. Leftover sticky buns can be wrapped in foil or plastic wrap
and refrigerated for up to 3 days, but they should be warmed through
before serving. They reheat quickly in a microwave oven (for 2 buns,
about 2 minutes at 50 percent power works well); they can also be put
into a 325F/175C-degree oven for about 8 minutes.
Dough
-
3 large eggs at room temperature
-
3/4 cup buttermilk (2 dl piima) at room temperature
-
1/4 cup (.5 dl) granulated sugar
-
1 1/4 teaspoons table salt
-
2 1/4 teaspoons instant yeast (1 packet sunnuntai dry yeast)
-
4 1/4 cups (10,5 dl) unbleached all-purpose flour, plus additional
for dusting work surface
-
6 tablespoons (85g) unsalted butter, melted and cooled until warm
-
In bowl of standing mixer, whisk eggs; add buttermilk and whisk to
combine.
-
Whisk in sugar, salt, and yeast.
-
Add about 2 cups (5 dl) flour and butter; stir with wooden spoon or
rubber spatula until evenly moistened and combined.
-
Add all but about 1/4 cup (1/2 dl) remaining flour and knead with
dough hook at low speed 5 minutes.
-
Check consistency of dough (dough should feel soft and moist but
should not be wet and sticky; add more flour, if necessary); knead at
low speed 5 minutes longer (dough should clear sides of bowl but stick
to bottom).
-
Turn dough out onto lightly floured work surface; knead by hand
about 1 minute to ensure that dough is uniform (dough should not stick
to work surface during hand kneading; if it does stick, knead in
additional flour 1 tablespoon at a time).
-
Lightly spray large bowl or plastic container with nonstick cooking
spray. Transfer dough to bowl, spray dough lightly with cooking spray,
then cover bowl tightly with plastic wrap.
-
Set in warm, draftfree spot until doubled in volume, 2 to 2 1/2
hours.
Caramel Glaze
-
6 tablespoons or 85g unsalted butter
-
3/4 cup (1,75 dl) light brown sugar, packed
-
3 tablespoons corn syrup, light or dark
-
2 tablespoons heavy cream
-
1 pinch table salt
-
Meanwhile, combine all ingredients for glaze in small saucepan.
-
Cook over medium heat, whisking occasionally, until butter is
melted and mixture is thoroughly combined.
-
Pour mixture into nonstick metal 13- by 9-inch (33cm x 23cm) baking
dish.
-
Using rubber spatula, spread mixture to cover surface of baking
dish.
-
Set baking dish aside.
Cinnamon-Sugar Filling
-
3/4 cup (1,75 dl) light brown sugar, packed
-
2 teaspoons ground cinnamon
-
1/4 teaspoon ground cloves
-
1 pinch table salt
-
1 tablespoon or 15g unsalted butter, melted
-
Raisins (optional)
-
Combine brown sugar, cinnamon, cloves, and salt in small bowl.
-
Mix with a fork until thoroughly combined, using fingers to break
up sugar lumps.
-
Set aside.
To assemble and bake buns:
-
Turn dough out onto lightly floured work surface.
-
Gently shape dough into rough rectangle with long side nearest you.
-
Lightly flour dough and roll to 16-inch x 12-inch (40cm x 30cm)
rectangle.
-
Brush dough with 1 tablespoon melted butter, leaving 1/2-inch
border along top edge; with butter remaining on brush, brush sides of
baking dish.
-
Sprinkle filling mixture over dough, leaving 3/4-inch border along
top edge; smooth filling in even layer with your hand, then gently
press mixture into dough to adhere. Add rasins if you desire.
-
Beginning with long edge nearest you, roll dough into taut
cylinder.
-
Firmly pinch seam to seal and roll cylinder seam-side down.
-
Very gently stretch to cylinder of even diameter and 18-inch (45
cm) length; push ends in to create even thickness.
-
Using a serrated knife and gentle sawing motion, slice cylinder in
half, then slice each half in half again to create evenly sized
quarters.
-
Slice each quarter evenly into thirds, yielding 12 ~1.5 inch (3,75
cm) buns (end pieces may be slightly smaller).
-
Arrange buns cut-side down in prepared baking dish.
-
Cover tightly with plastic wrap and set in warm, draft-free spot
until puffy and pressed against one another, about 1 hour.
-
Meanwhile, adjust oven rack to lowest position, place pizza stone
(if using) on rack, and heat oven to 350F/175C degrees.
-
Place baking pan on pizza stone; bake until golden brown and center
of dough registers about 180F/82C degrees on instant-read thermometer,
25 to 30 minutes.
-
Cool on wire rack 10 minutes; invert onto rimmed baking sheet,
large rectangular platter, or cutting board.
-
With rubber spatula, scrape any glaze remaining in baking pan onto
buns; let cool while making pecan topping.
Pecan Topping
-
3 tablespoons or 50g unsalted butter
-
1/4 cup (.5 dl) light brown sugar, packed
-
3 tablespoons corn syrup, light or dark
-
1 pinch table salt
-
1 teaspoon vanilla extract or vanilla sugar
-
3/4 cup (1,75 dl) pecans or walnuts, toasted in a skillet over
medium heat until fragrant and browned, about 5 minutes, then cooled
and coarsely chopped
-
Combine butter, brown sugar, corn syrup, and salt in small saucepan
and bring to simmer over medium heat, whisking occasionally to
thoroughly combine.
-
Off heat, stir in vanilla and pecans until pecans are evenly
coated.
-
Using soup spoon, pour heaping tablespoon of nuts and topping over
center of each sticky bun.
-
Continue to cool until sticky buns are warm, 15 to 20 minutes.
-
Pull apart or use knife to cut apart sticky buns; serve.
US rules all porn is child porn
US rules all porn is child porn
06/24/2005 04:04 PMProve otherwise
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Creative Commons at the W3C
Creative Commons at the W3C
03/06/2004 01:53 AMBen
Adida, one of our tech advisors, will attend the
Semantic
Web portion of the
World Wide Web
Consortium Plenary Session this Thursday and Friday in Cannes,
France.
RDF,
the technology we chose 18 months ago to build our machine-readable
licenses,
recently became a
finalized W3C recommendation.
Identity Commons
Identity Commons
09/09/2004 05:25 AMIdentity Commonshttp://www.idcommons.net/* you could navigate the Web using one easy-to-remember
password?
* you could enter your personal data once and use it on
many Web sites?
* you had a simple way of determining how
information about you is used and disclosed by others?
* you
could ensure that your personal information and identity was
controlled by one person -- you?
At Identity Commons, they
are striving to make this possible by creating the framework for
trusted electronic communications. These tools will make your
communications simple and convenient, secure yet verifiable.
Individuals will be able to decide just how persistent, portable and
private their online identity is, relationship by relationship;
organizations that support this form of communication will derive
greater value from their customer/member relationships while enhancing
their reputation with customers. Serving as the backbone for this new
technology are data sharing agreements that establish the parameters
for the exchange and use of personal information between users. This
has been added to
eCommerce Resources
Subject Tracer™ Information Blog.
Subcription Commons
Subcription Commons
01/09/2004 09:55 PMI have always believed its best to share what you read. Since the
early days of my blog I have made my subscription list transparent as
my blogroll. What I read is a time commitment, a real reflection of
my...
Science Commons
Science Commons
12/31/2004 04:33 AMScience Commons aims
to encourage scientific innovation by making it easier for scientists,
universities, and industries to use literature, data, and other
scientific intellectual property and to share their knowledge with
others. Science Commons works within current copyright and patent law
to promote legal and technical mechanisms that remove barriers to
sharing.
Creative Commons
Creative Commons
06/12/2004 06:10 AMSparked by the copyright discussion raging
elsewhere in this blog, I decided to license the content of
this weblog under a
Creative Commons
Attribution - Share Alike license. In essence, what this means:
You are free:
- to copy, distribute, display, and perform the work
- to make derivative works
- to make commercial use of the work
Under the following conditions:
- Attribution. You must give the original author credit.
- Share Alike. If you alter, transform, or build upon this work,
you may distribute the resulting work only under a license identical
to this one.
- For any reuse or distribution, you must make clear to others the
license terms of this work.
For the full text of the license, click here
for the English version, or in Finnish - the Finnish version being the legally valid one,
since this blog is physically located in Finland and written by a
Finnish citizen.
Note that this license does not affect whatever rights you have under
the law - it's still completely okay to quote this blog without
relicensing under CC, for example.
commons-bl0g
commons-bl0g
03/17/2005 03:26 AMcommons-bloghttp://www.info-com
mons.org/blog/index.htmlcommons-blog is an American
Library Association-sponsored site collecting news, discussion, and
commentary related to the information commons in theory and practice,
along with announcements of updates to the info-commons.org main site.
commons-blog is edited by Frederick Emrich, who posts with the byline
info-commons.
Creative Commons 2.0
Creative Commons 2.0
05/26/2004 04:43 PMAfter considering a lot of the feedback and statistics from the
original Creative Commons licenses, we (I personally was only a small
part of this) have launched the 2.0 licenses which I think make them
easier to use and easier to understand. Congratulations and thanks to
the team for all the work and an excellent step forward.
The details
are on the Creative Commons page.
UK take on Creative Commons
UK take on Creative Commons
09/21/2004 06:23 AM
Cory Doctorow:
Becky sez, "My piece on Larry Lessig and the BBC Creative Archive was
published in the New Media Guardian today. The in-depth article
discusses copyright in the digital age and the Creative Commons
project.
"Unfortunately, to read the article you need to register."
Reg Req'd Link, use
"feeshfeeshfeesh@hotmail.com/feeshfeesh"
(Thanks, Becky!)
"The Information Commons "
"The Information Commons "
06/15/2004 12:12 AMWorkzen Commons
Workzen Commons
01/06/2004 11:48 AMWorkzen Commons Website
The Information Commons
The Information Commons
12/30/2004 11:40 AMTechnology Review Dec 30 2004 3:44PM GMT
State of the Commons
State of the Commons
06/20/2004 02:23 PM
Revivin
g the Commons. The commons are the range of resources that the
American public collectively owns, but which are often mismanaged by
government or privatized ("enclosed") by corporations. An
excellent report on
"T
he State of the Commons 2003/04" (PDF) was prepared for the
Friends of the Commons
by the
Tomales Bay
Institute. The principle of the commons in Western common law was
first
codified
in the Magna Carta, and was previously discussed on MeFi
here.
[Via I-Merge.] Searching Creative Commons
Searching Creative Commons
03/24/2005 08:16 PM"Blair hit during Commons protest"
"Blair hit during Commons protest"
05/20/2004 11:30 AMSGAE y Creative Commons
SGAE y Creative Commons
04/16/2005 03:17 PMWhy the BBS Documentary is Creative
Commons
Why the BBS Documentary is Creative
Commons
06/05/2005 11:29 PMGreat defense of CC
ascii.textfiles.com/archives/000123.html
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Eight held after Commons protest
Eight held after Commons protest
09/15/2004 07:46 PMPolice investigate how five protesters were able to burst into the
Commons as MPs debated a ban on hunting.
honoring Creative Commons
honoring Creative Commons
05/11/2004 09:11 AMCreative Commons has won a
Prix Ars Electronica
Award.

BBC to use Creative Commons licenses
BBC to use Creative Commons licenses
05/26/2004 06:16 PMDigital Lifestyles is reporting that Larry Lessig has been named to a
BBC advisory board and that the BBC's Creative Archive project (which
aims to put the BBC's archives online for non-commercial re-use) will
use Creative Commons licenses:
Professor Lawrence Lessig, chair of the Creative Commons project was
clearly excited: "The announcement by the BBC of its intent to develop
a Creative Archive has been the single most important event in getting
people to understand the potential for digital creativity, and to see
how such potential actually supports artists and artistic creativity."
He went to enthuse "If the vision proves a reality, Britain will
become a centre for digital creativity, and will drive the many
markets – in broadband deployment and technology – that
digital creativity will support."
Link
(
Thanks, Simon!)
Creative Commons UK: will it flower?
Creative Commons UK: will it flower?
04/06/2005 07:37 AMCory Doctorow:
Edward sez, "Becky Hogge has written an excellent article about the
launch of Creative Commons in the UK. She discusses the problems faced
by CC in the UK, the institutions supporting it like the BBC, and how
Creative Commons will become a household name in the UK."
The British Broadcasting Corporation (BBC), the most influential
public service content provider in the world, has been behind the
project from the start and is using the Creative Commons ideology as a
lynchpin for its core digital project, the Creative Archive. Beyond
this, institutions such as OfCom, Research Councils U.K., JISC, the
Museums Libraries and Archives Council, The National Health Service,
and the British Library are all making mention of CC in policy
documents mapping the future dissemination of knowledge and culture.
It may just represent good timing, but Lawrence Lessig's thinking has
emerged as a framework for a country looking to maintain its lead role
as a global content provider in the digital age.
By contrast, the commercial creative industries have raised the kind
of misinformed objections to Creative Commons that will be tiresomely
familiar to those engaged in the IP debate in the States. Although,
during his research, Tsiavos received a warm welcome from many of the
U.K.'s copyright revenue collecting societies, themselves keen to
modernise practice for the digital age, the music business press in
particular have been incredibly skeptical about the value of Creative
Commons. Key concerns voiced have been that Creative Commons somehow
undermines traditional copyright protection, that through taking part
in what is in the U.K. a novel "registration process," creators may
unwittingly give away their rights irrevocably, and also, in a
wonderfully pitched recursive argument, that signing a CC licence
could result in musicians being discounted by a music business hostile
to CC. For the time being at least, the idea that, as Tsiavos puts it,
"commons are not against markets; they only create new ones" appears
to be falling on deaf ears.
Link"Creative Commons License"
"Creative Commons License"
12/19/2003 11:55 AMBlair hit during Commons protest
Blair hit during Commons protest
05/19/2004 07:23 AMA purple powder is thrown at Tony Blair during prime minister's
questions - forcing the House of Commons to be evacuated.
Creative Commons Milestone
Creative Commons Milestone
12/15/2003 10:33 PMIt's a 7 meg flash file .. great new stuff .. 7MB Flash Link ..
flash
lessig.org/blog/archives/cc.milestones.121503.swf
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Identity Commons: I signed up
Identity Commons: I signed up
12/19/2004 03:02 PMJust after I completed my Digital ID World audio chat, now online at
IT Conversations, with Owen Davis of Identity Commons, I signed up for
my own iName: =ScottMace. Of course, it will be a while before I
abandon the...
Science Commons Interview
Science Commons Interview
12/22/2004 01:09 AMOpen Access Now's current feature is an interview with Science Commons
executive director John
Wilbanks.
Wyman on DRM and Creative Commons
Wyman on DRM and Creative Commons
03/25/2005 03:47 PMFrom the Atom Working Group mailing list, some
remarks
a> from Bob Wyman that are
both educational and sobering on what Creative Commons licenses do and
don’t do; and yet more gloom and doom about the whole DRM
train-wreck.
Enforcing the Creative Commons
Enforcing the Creative Commons
05/26/2004 12:11 PMThe Creative Commons is a good thing. It allows people near and far to
share creative work. It's easy to... (596 words)
Creative Commons in Europe
Creative Commons in Europe
02/11/2004 07:13 PMNeeru Paharia, our assistant director, will be in Holland over the
next few days to attend the Third Zwolle
Conference, entitled "Optimal management of copyright: Making it
happen," on February 13 and 14. Neeru will also be checking in with
friends of CC in Holland.
Meanwhile, iCommons coordinator Christiane Asschenfeldt will be
visiting Switzerland over the next couple of days to speak about
Creative Commons at the CERN Workshop
Series on Innovation in Scholarly Communication.
If you're at either event or nearby and would like to meet up with
Neeru or Christiane, let us
know.
Creative Commons search
Creative Commons search
09/05/2004 01:21 PMConnecting two projects together - teh Creative Commons has put
into beta a servcie which uses the open source spider/search engine -
named Nutch. I believe Gordon Mohr works on that.
Here's the
post from John Batelle.....
Doug Cutting reminds me that his Nutch open
source engine is powering a beta
version of Creative Commons search. This is a great example of a
domain specific search application, in this case, the engine crawls
and indexes all CC licensed sites and lets you find stuff by how you
might want to use it. As Doug points out, there's no way the Creative
Commons could have built an engine like this had it not been for open
source. Cool....
[http://battellemedia.com/archives/000864.php
]
Thought River Commons
Thought River Commons
11/13/2003 09:00 AMThought River Commons 2003.11.13-beta Released
Digital Library of the Commons (DLC)
Digital Library of the Commons (DLC)
04/17/2004 06:05 AMDigital Library of the Commons (DLC)http://dlc.dlib.indiana.edu/The Digital Library of the Commons (DLC) provides free
access to an archive of international literature on the commons,
common-pool resources and common property. Features for authors and
readers include advanced searching; browsing by region, sector, and
author name; an author submission portal for uploading a variety of
document formats; and a service that uses email to alert subscribers
to new documents in their area of interest. This will be added to
Academic Resources
2004 Internet MiniGuide.
Creative Commons and The Plains
Creative Commons and The Plains
08/06/2004 05:00 PMThere's a been good discussion about music and Creative Commons
licenses happening on the pho
list the last day or so. The most novel post comes from Jim Griffin:
Here's an example from my new reality: In our neighborhood (The
Plains, VA,
population 266) and in our region there are many people who adopt for
their
land a conservation easement, essentially signing away (sometimes with
certain modifications) their right and any future owner's right to
develop
the land outside some fairly restrictive parameters.
On a strictly financial basis, it makes little sense. The dramatic
reduction
in the land's value does bring lower property taxes, but this pales by
comparison to the lost right to develop the land. And make no mistake
about
it: The Washington area sprawls, especially so with the restriction on
the
height of buildings in the city. Northern Virginia is a hotbed of real
estate development, and plots of land of 30 or more acres go for a
massive
premium to builders ready to sell about 40 houses per acre. It is the
OBS,
the One Big Score, rivaling a hit album, or a string of them, in the
financial payday it delivers.
Put simply, you'd be an irresponsible fiduciary to adopt a
conservation
easement on your land.
On the other hand, it is not uncommon for an owner to choose to do
so.
Why?
They have a long-term perspective on their role in the community.
They know
they at most use the land during their lifetime, and they want to
preserve
its place in the "commons" that surround us.
The move to The Plains has been a journey from ME to WE, from the
ego-sphere
of Hollywood to the community grain silo, the volunteer fire
department and
a wave of the hand to and from the neighbors who share this valley. I
can't
remember my neighbors in Los Angeles; already I cannot forget those
who
share this place between the mountains.
So I guess I get the Creative Commons. Or I hope to. Or there is
hope that I
might, and that some of it may rub off on our son. And as I write
this, as
the fading twilight of The Plains reflects off the pond, Creative
Commons
makes sense. These songs, like this land, are ours for a time, and
there
comes a time we should pass them on to the community.
The Creative Commons story has many altruistic and pragmatic
readings. Jim's story above adds one of the former. In the same
thread Lucas Gonze adds an insightful
rendition of the latter:
My own perspective on CC is that it doesn't matter whether licenses
declare that files are redistributable or anything else in particular.
What matters is that there is legal metadata.
A big part of the current impasse is caused by the need to automate
clearances. We need to be able to write programs which look up
rights, or at the least have a computer assisted method for looking
them up by hand.
About the plains, conservationism and altruism, I personally don't
see open media (or code) that way. Making your media more open gives
you certain practical benefits, and if it isn't the selfish thing to
do then you shouldn't do it.
Either, or, neither? Make up your own story. Keep those ideas
around for the next contest. (None planned at the moment!)
Text by Jim Griffin and Lucas Gonze above copied from
pho-list postings with permission.
Tragedy of the network commons
Tragedy of the network commons
08/09/2004 09:11 AM
A recent survey found that 75 percent of Dartmouth students have
shared their network passwords. They like having people who know their
password, explained Denise Anthony, a sociologist who spoke at the PKI
summit conference I attended earlier this month. "They like having
someone who can check their e-mail for them or log them in to places
where they're supposed to be."
...
As security technologists, were easily dazzled by our shiny
cryptographic swords. But while were brandishing our swords, our
users -- like Indiana Jones in that famous scene from Raiders of the
Lost Ark -- might simply pull out their guns and shoot us. Better
security protocols alone cant thwart such game-changing
behavior. We need to understand what motivates the behavior and figure
out which carrots and sticks will influence it. [Full story at
InfoWorld.com]
The responses to this column expressed a mixture of hope and
resignation. The hope: that in a token-based authentication regime,
tokens will feel more like personal property than passwords do, and
that as a result, there will be less promiscuous behavior. The
resignation: that, as one reader put it, "there is no access control
system that is so convenient that some significant percentage of users
will not intentionally circumvent it in one way or another at least
some of the time."
...Creative Commons Europe
Creative Commons Europe
03/22/2005 04:43 PMI had the good fortune to attend the Creative Commons
Europe summit in Amsterdam this week. The meeting, part of the Creative Capital
conference, was organized by the Waag Society's Paul Keller, the
public project lead of CC-Netherlands. It was one of
those great happenings, more and more frequent these days, that snap
your eyes open to Creative Commons' long-term potential, and to how
far we've come already: over 40 European Creative Commons project
leads and volunteers from Spain, the Ukraine, and everywhere in
between, brainstorming for two days about organizational structures,
promotion strategy, and tough legal issues, like a free-culture EU. I
thoroughly enjoyed seeing everyone -- many for the first time -- after
so many email exchanges, and having the chance to listen to their
stories about all their work. Paul deserves a medal (if we had those
to give out) for pulling the event together, and there aren't words to
describe Creative Commons' indebtedness to Christiane Asschenfeldt and
Roland Honekamp for coordinating, over only the last year and a half
no less, the development of such a great network of people. It was one
of those events that feels both like a milestone and yet a beginning.
Indeed, watch this space as we try to develop similar meetings around
the world. (Photos will soon follow, too.)
Creative Commons Deed
Creative Commons Deed
04/25/2004 04:49 PMexcellent use of the Creative Commons License .. Condiciones de copia
y distribucin .. Attribution-NoDerivs-NonCommercial .. most
restrictive license .. Rights Reserved .. CC 2000-2003 .. Good Rule II
.. cc
creativecommons.org/licenses/by-nd-nc/1.0
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Grok Description matches for Porn Commons
GrokA matches for Porn Commons
Porn Commons