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New iPod Commercial







New iPod Commercial

New iPod Commercial 05/03/2004 07:29 PM

A new iPod Commercial has cropped up on the .mac page of Jeff Garden. Anyone with any information regarding the source of this video or an opinion to express about it may do so in the comments below.




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Why free for commercial use? 06/27/2004 07:38 PM

When writing my last entry, I remembered a question that some people ask me. Why choose the Creative Commons license that allows people to use content free for commercial use? I think people have some sort of instinctive reaction toward the notion that someone could "exploit" their work to make money. One question to ask is, will you make less money because of it or more? They have to give you attribution so more people will know about you and your work. I would rather have people copy and quote my blog without worrying about asking for permission. I would love to appear in commercial magazines, books, websites and newspapers. Yes, fair use allows these people to quote me without asking permission, but fair use must be defended in court and some countries don't even have fair use. As a practical matter, fair use really only gets you the right to hire a lawyer. The CC license allows people to use stuff from my blog without fear because they know my intention and it is clear legally as well.

The next question is, then why not make it completely free? A good way to understand this is to look at the differences between the GNU Free Document License that Wikipedia uses and the by-sa (attribution share-alike) Creative Commons license Wikitravel uses. There is some overlap and lots of nuances, but generally speaking the GNU license is more about creating an ever growing body of work which must remain free and allows commercial reprinting with limitations basically in order to allow people to charge for reprinting the document. The Wikipedia copyright page says:

Wikipedia
The goal of Wikipedia is to create an information source in an encyclopedia format that is freely available. The license we use grants free access to our content in the same sense as free software is licensed freely. This principle is known as copyleft. That is to say, Wikipedia content can be copied, modified, and redistributed so long as the new version grants the same freedoms to others and acknowledges the authors of the Wikipedia article used (a direct link back to the article satisfies our author credit requirement). Wikipedia articles therefore will remain free forever and can be used by anybody subject to certain restrictions, most of which serve to ensure that freedom.
Wikitravel has a page on why they didn't choose the GNU Free Document License.
Wikitravel
The GFDL was developed to support making Free Content versions of software manuals, textbooks, and other large references. Its requirements for what you have to distribute with a document under the GFDL -- such a copy of the GFDL and a changelog, as well as "transparent" (i.e. source) versions if you distribute over 100 copies -- aren't really all that onerous for large volumes of text.

But for Wikitravel, we really want to have each article redistributable on its own. Wikitravel articles can be as small as 1-2 printed pages. For such small documents, it just doesn't make sense to require people to pass out another 10 pages of legalese text, as well as floppy disks or CDs full of Wiki markup.

Consider these small "publishers" who would distribute stacks of photocopied printouts of Wikitravel articles:

• Local tourist offices
• Hotels or guesthouses
• Helpful travellers
• Teachers
• Exchange student programs
• Wedding or event planners

Burdening these publishers with restrictions meant for software documentation or textbooks would mean that they'd either ignore our license -- a bad precedent to set -- or, more likely, just not use our work.

We make our content Free so we can collaborate on this wiki, but also because we want it to be seen and used. We can't serve travellers with useful information if they can't get to that information in the first place.

A lightweight alternative

The license we've chosen, the Creative Commons Attribution-ShareAlike 1.0, is much easier and more lightweight. We think that using the Attribution-ShareAlike 1.0 license (by-sa) meets our goal of having copyleft protection on Wikitravel content, without putting an excessive burden on small publishers. All that needs to be included are copyright notices and the URL of the license; this can be done in a short paragraph at the end of the article.

The big downside of not using the GFDL is that GFDL content -- like Wikipedia articles -- cannot be included in Wikitravel articles. This is a restriction of the GFDL -- you're not allowed to change the license for the content, unless you're the original copyright holder. This is kind of a pain for contributors, but we figured it was better to make it easy for users and distributors to comply with our license.

Creative Commons is planning to issue a new revision of their suite of licenses some time in the winter of 2003-2004. Compatibility with other Free licenses is "a top priority", and we can expect that some time after that version change, articles created on Wikitravel can be distributed under the GFDL. So, even though we can't include GFDL work into Wikitravel, other Free Content authors can include Wikitravel content into their work.

In Wikipedia's case, the main use case is having it available online and I think for that the GFDL works best. In the case of Wikitravel where they would like to see their work expand into the physical world in small bits, I think the CC by-sa works well. I think they both picked the right licenses.

They point out one of the biggest problems with many of these copyleft licenses. They usually require the creator of a derivative work or the distributor to use the same license and even if the work can be tampered with, the license can not. This makes it hard if not impossible to mix with other licenses. The "share-alike" attribute in the CC license the Wikitravel uses serves this function and is similar to GPL and GFDL licenses in this regard. This is important in keeping the "spirit" of the original intent going and in the case of Wikipedia and Wikitravel which are group efforts, this is quite important. In my case, I would rather allow people who use my works to have maximum freedom so I have not included "share-alike" to my license. This allows people to mix my content with other types of licenses.


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How incredibly fantabulous and perwonderfect is it to be able to listen to internet radio streams in the car? I can't make up enough words to describe it! I guess I don't have to worry about getting satellite radio anymore....

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When I first watched the cool new VW Golf GTI commercial featuring an updated Gene Kelly poppin' and lockin', I guess I wasn't paying that much attention to it.

Golf GTI

Then the other day a friend IMed me and asked, "hey have you seen this Golf GTI commercial with that guy from the crazy Kollaboration video?"

"It's the same guy? I know that guy!" I watched the video again and sure enough, Gene Kelly was dancing with the unmistakable style of Elsewhere, aka David Bernal. After a quick search, I found a message board post from Elsewhere himself that it was indeed him in the commerical:

yup that was me along with Crumbs and another popper named Jay Walker.

I emailed David to ask him about the experience and he graciously took the time to answer a few questions.

Jason: How did you get the Golf GTI gig? Audition or had someone seen your stuff and specifically wanted you for it?

David: They specifically wanted to use me for it. I had done a Heineken Commercial several months prior and the special effects people for that commercial were going to do the effects for this VW commercial. I got an email asking me if I could dance in the rain with a prosthetic mask on and several weeks later I was in London doing just that.

jkottke: That scene from Singin' in the Rain is one of the most famous in film, and certainly the most famous dance number in film. What was it like to be a part of an attempt to recreate and update it?

David: It was an honor and a privilege being one of the dancers in this commercial. Gene Kelly was a great dancer, singer and actor which is a lot more than I have to offer. It's extremely flattering having a commercial that essentially implies that my moves are an updated version of Gene's dance skills.

jkottke: Some folks have complained about the crassness of using a dead guy's likeness to sell automobiles. As one of the actors playing the deceased, do you have any thoughts on that?

David: Yeah it's kind of weird, but imo it kind of comes with the territory when you're a legend. I don't know if Gene would be too hot about the whole thing but obviously the Gene Kelly Estate approved it, so it's apparently not that crass to them.

jkottke: I've read that you often freestyle when you dance, making it up as you go along, but that you also have little micro-routines that you rely on as you do. In shooting the commercial, how much of the choreography was scripted and how much did you get to ad lib? How much did you need to change your style much based on specific shots from the original film or Gene's style?

David:It was different for each shot. For example with the close-ups they would say just do a bunch of wavy stuff, so I would simply freestyle with some waves. Most of the full body shots were more routine based. They would specifically want me to do a list of moves, but to connect everything I would naturally freestyle.

I didn't have to change my dancing stylistically at all. They wanted me to dance the way that I dance. In fact they had us watch the original Singing in the Rain scene so many times that I started unconsciously moving a bit like Gene Kelly. The director at one point even told me that I was moving too much like Gene and I needed to move more like me.

If anything the parameters and conditions of the shoot inadvertently changed my style. The sound stage was cold and we had to dance under artificial rain for hours. To avoid freezing we wore wet suits under our already thick, tight costumes. This restricted my movement a lot. My shoes were quite uncomfortable and fake flooring we danced on was soft and spongy. I had to keep my head up and smile constantly which was very unnatural for me. Yet the biggest difficulty for me was the rigid time restraints. Since it was a commercial we had to do a lot within a small amount of time. This forced me to speed up my style more than I usually do.

jkottke: Thanks, David.

You can see more of David's stuff on the Detours Video site, by purchasing some DVDs, or by doing a search for "david elsewhere".


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They still make Creepy Crawlers, but the "Thingmaker" cooker is now a crappy plastic box with a light bulb heating element and a safety door that won't let you see your creepy crawler cook. Also, the Plastigoop smells completely different -- quite unpleasant. I feel sorry for kids these days.
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(via Fleshbot).

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